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Title and statement of responsibility area
Title proper
Vera Frenkel Fonds
General material designation
Parallel title
Other title information
Title statements of responsibility
Title notes
- Source of title proper: Title based on creator.
Level of description
Fonds
Repository
Reference code
CA RBD MSG 1354
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
-
between approximately 1950 and 1989 (Creation)
- Creator
- Frenkel, Vera
Physical description area
Physical description
31 audio cassettes
4.22 m of textual records, photographs, and graphic material
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Name of creator
(1938-)
Biographical history
Vera Frenkel (born November 10, 1938) is a Canadian artist born in Bratislava, Czechoslovakia, who now resides in Toronto. Her diverse artistic endeavors include installations, videotapes, performances, and new media projects. Frenkel's works explore themes of human migration, cultural memory, and the increasing bureaucratization of human experience. After graduating from McGill University with a degree in Fine Arts in 1959, Frenkel continued her studies in Montreal under Arthur Lismer and Albert Dumouchel. Since the early 1970s, she has participated in solo and group exhibitions both in Canada and internationally. Notable venues include Documenta IX, the Offenes Kulturhaus in Linz, the Setagaya Art Museum in Tokyo, the National Gallery of Canada in Ottawa, the Museum of Modern Art in New York, and the Biennale di Venezia.
Custodial history
Scope and content
Fonds consists of correspondence, exhibition and performance files, film and video files, lectures and writings, teaching files, drawings, designs, posters, ephemera and clippings, primarily from the 1950s to the 1980s.