The Nobbs fonds consists of the work of Percy Erskine Nobbs, George Taylor Hyde, Nobbs and Hyde, Nobbs and Valentine, and Nobbs and Nobbs. 526 projects are documented in the Percy Erskine Nobbs Fonds. Architectural drawings form the core of the fonds, providing a comprehensive listing of the drawings by Percy Nobbs and his associates. Arranged chronologically, the inventory reflects respectively the development of the partnerships Nobbs and Hyde (1910-1944), Nobbs and Valentine (1945-1950), and Nobbs and Nobbs (1950-1960). Hugh A. I. Valentine worked only briefly with Nobbs, spending the bulk of his career with the Bell Telephone Company of Canada. His commissioned drawings and student notebooks cannot be directly related to his work with Nobbs, but are nonetheless described in subfonds 8. Subfonds 6 and 7 describe Percy Nobbs's personal papers and three-dimensional objects designed by him which are in the Canadian Architecture Collection.

Percy Corbett’s fonds reflects his expertise in Roman and international law. The fonds mostly consists of lecture notes written by him for his courses on Roman and international law. Also part of the collection are two bound notebooks on constitutional history, political theory and international law from his student days in Oxford (1919-1924), a few manuscript and typescript essays on Roman law, notes on Canadian-American relations (1942), and notes on international law (1949). Included is a diary (1916), correspondence (including correspondence to the Wilder Penfield and his wife Helen Katherine Kermott Penfield (1944-1959 ), reference letters (1922-1983), articles and newspaper clippings (1920-1989). Cuurriculum vitae and hand-written record about Corbett’s life, wills, addresses, draft of biography of Percy Corbett written by his son David, reviews of P. E. Corbett’s work, and book reviews of Percy Corbett are part of the fonds. Included is also material for 1946 Conference - Moscow Report, common place book (1930’s-1940’s), tributes to Percy Corbett, typed and hand-written Statement and Memorandum on the American-Canadian relations (1958), typescript Impressions-Mostly Oxonian by Percy Corbett and article Oxford-Impressions. Non textual records include photographs.

This subseries consists of many of Wood's major publications in various iterations such as manuscripts, typescripts, page proofs, and galley proofs. Additionally, this subseries contains other manuscripts, research notes, photographs, prints or illustrations, correspondence, book reviews, and other materials relating directly to Wood's research projects and publications. The material is dated from 1904-1942 but focuses predominantly from 1913- 1934. Much of the subseries is composed of bound volumes, some of which contain multiple record types, either bound or mounted within the volumes.
The research and writing projects focus on the following topics and geographic regions: ornithology, Fundus Oculi (1911-1934), Wood’s family history (1920-1940), South America (1920-1921), Fiji and Fiji Islands (1920-1931), fossil eggs (1923-1925), flowers and meadows in Switzerland (1924-1934), “An Introduction to the Literature of Vertebrate Zoology,” aviculture (1925-1928), New Zealand, medieval Persian manuscripts (1927-1934), Benevenutus Grassus’ de Oculis (1930), John III, Kashmir and North India (1921-1934), Ceylon (1925, 1928, 1934), "the Art of Falconry" (1938?-1942), and Ali ibn Isa (1935-1936).
Other contributors to some publications and manuscripts include Marjorie Fyfe, Alexander Wetmore, Wladimir Ivanow, Arthur William Head, Dr. Andreas Nell, W. J. Belcher, William C. Morgan, and Marion C. Tallmon.
This subseries also contains 145 incoming and outgoing pieces of correspondence including letters and notes. Some individuals addressed include Arthur William Head, Christopher Leggo, Lillian Bates, Elizabeth E. Abbott, Cora Raymond, Dr. Richmond, W. J. Belcher, C. S. Walis, Theodore Hamblin Ltd., James R. Slonaker, and R. R. Donnelley and Sons Co.. This subseries also includes photographs of Wood’s family, professional colleagues and friends, and research and publications.

This file contains a photograph of G.H. Payne, the Rt. Hon. C.J. Doherty, J.H. Beiler, and Sir Herbert Ames. "'Old McGill' at Geneva" is written beneath the photo.

The archive consists of drawings for planning and architectural projects, preparatory notes and visual documentation for Schoenauer's books and articles, as well as course notes, photographs, small sketches and research files on the typology of Canadian housing. The archive reflects the breadth and depth of Schoenauer's involvement with architecture, housing and planning in Canada; his profound commitment to teaching; and his labours as an author of a fundamental, and far-ranging text on housing as a sine qua non of civilized existence.

Subfonds contains twelve projects documented by 213 architectural drawings (1943-1950) including: additions and alterations to the McGill University Pathology Building, a Henry Birks and Sons store in Victoria, BC, a War Memorial Monument in Westmount, alterations to Christ Church Cathedral in Montreal and alterations to the Royal Montreal Curling Club. Non-architectural projects documented in drawings include the Carlisle Memorial Sedilia, a processional cross and war names inscription panels for Christ Church Cathedral (1946-1948).
"Photographs, 1947, 2 photographs." The Birks store in Victoria is documented by photographs of the finished exterior and interior (1947).. Three projects include correspondence files: War Memorial Monument in Westmount, alterations to St. George's Church in Drummondville, PQ and decorations for the University Club in Montreal (1947-1951).

Dessins architecturaux, 1943-1950, 213 dessins: Les douze projets illustrés par des dessins architecturaux comprennent, notamment : des annexes et rénovations apportées au pavillon de l'Institut de pathologie de l'Université McGill, un magasin de la compagnie Henry Birks and Sons à Victoria (Colombie-Britannique), un monument aux morts à Westmount, des réfections apportées à la cathédrale Christ Church de Montréal et au Royal Montreal Curling Club.
Autres dessins, 1946-1948, 12 dessins: Au nombre des projets non architecturaux illustrés par des dessins, signalons la Sedilia Carlisle Memorial, un crucifix de procession, et les panneaux d'inscription du nom des soldats morts au champ d'honneur réalisés pour la cathédrale Christ Church.
Photographies, 1947, 2 photographies: Le magasin Birks de Victoria est représenté par deux photographies qui en montrent la finition extérieure et intérieure.
Correspondance, 1947-1951, 12 cm: Trois projets sont assortis d'une correspondance.: le monument aux morts de Westmount, les rénovations apportées à l'église St. Georges de Drummondville (Québec) et des ornements pour le University Club de Montréal.

"Architectural Drawings, 1910-45, 9835 drawings." The wide variety of projects designed or altered by Nobbs and Hyde include urban and rural domestic architecture, school architecture, ecclesiastical architecture, the University Club in Montreal, the Arts Building of the University of Alberta and numerous buildings for the Henry Birks and Sons company. Their extensive work for McGill University includes designs for the McCord Museum, an extension to the Redpath Library, the Pathology Building, proposals for gymnasiums and residences, the Pulp and Paper Research Institute and the Field House, Percival Molson Stadium.
"Other Drawings, 1912-51, 425 drawings." Included are designs for war memorial tablets and windows, furniture, gravestones and fittings. A large group of drawings contains designs for commemorative blocks for the Canadian Battlefields Memorials Commission. Also noteworthy are the designs for decorations executed for McGill University for the royal visits of 1939 and 1951.
"Photographs, 1910-40, 660 photographs." Photographs documenting various stages of projects include domestic, school and ecclesiastical architecture, the Arts Buildings of the University of Alberta, a Birks store in Saskatoon, and Montreal projects such as the Redpath Library extension, the Drummond Medical Building, the Royal Victoria College extension and alterations to the Erskine and American United Church.
"Specifications, 1918-38, 22 cm." The archive contains specifications for eleven projects including additions and alterations to a school in Trois Rivières, alterations to St. George's Church in Lennoxville, alterations to the Pulp and Paper Research Institute and alterations to the Birks store in Montreal.
"Correspondence, 1912-55, 50 cm." Twenty-one projects have correspondence. They include the University Club, a proposed War Memorial Museum in Regina, the Pulp and Paper Research Institute, the Royal Victoria College extension and the McGill decorations for the royal visits of 1939 and 1951.
"Clippings, 1915-28, 12 cm." Included are clippings for a proposal of a general scheme of future development for McGill University in 1920-3, an imperial war graves plot and domestic architecture projects.
"Notes, 1929-34, 9 cm." Three projects contain notes: the Henry Birks and Sons store in Calgary, alterations to the Château Richer Church, PQ and the Motor Building in Montreal.
"Trade Catalogues, 1922, 1 item." The 1922 alteration to the Pathology Building at McGill University includes a trade catalogue.
"Article, 1919, 1 item." A proposal for the development of Evangeline Park, Grand Pré, NS includes an article.

"Dessins architecturaux, 1910-1945, 9 835 dessins." La très grande variété de projets dessinés ou modifiés par Nobbs et Hyde comprend des projets d'architecture résidentielle urbaine et rurale, des écoles, des immeubles à vocation religieuse, le University Club de Montréal, le pavillon des arts de l'Université de l'Alberta et plusieurs immeubles réalisés pour le compte de la société Henry Birks and Sons. Leurs nombreux travaux pour le compte de l'Université McGill comprennent notamment les plans du musée MeCord, une annexe à la bibliothèque Redpath, le pavillon de l'Institut de pathologie, une proposition de gymnases et de résidences d'étudiants, l'Institut de recherche sur les pâtes et papiers ainsi que Field House, au stade Molson.
"Autres dessins, 1912-1951, 425 dessins." La collection comprend des dessins de tablettes et de vitraux destinés à des monuments aux morts, des dessins de meubles, de pierres tombales et d'accessoires divers. Bon nombre de dessins sont des blocs commémoratifs réalisés pour la Commission canadienne des monuments aux morts. Signalons en outre des esquisses de décorations exécutées pour l'Université McGill à l'occasion des visites royales de 1939 et 1951.
"Photographies, 1910-1940, 660 photos." Ces photos, qui illustrent des projets à divers stades d'exécution, se rapportent à des constructions à vocation résidentielle, scolaire ou religieuse, le pavillon des Arts de l'Université de l'Alberta, un magasin Birks à Saskatoon et divers projets montréalais dont l'annexe à la bibliothèque Redpath, le centre médical Drummond, l'annexe au collège Royal Victoria et la réfection de l'église Erskine and American United.
"Cahiers des charges, 1918-1938, 22 cm." Le fonds réunit les cahiers des charges de 11 projets, notamment d'une annexe et de rénovations apportées à une école de Trois-Rivières, de rénovations apportées à l'église St-Georges de Lennoxville, de rénovations apportées à l'Institut de recherche sur les pâtes et papiers et au magasin Birks de Montréal.
"Correspondance, 1912-1955, 50 cm." Vingt et un projets ont donné lieu à de la correspondance, notamment le University Club, une proposition de musée de la guerre à Régina, l'Institut de recherche sur les pâtes et papiers, l'annexe au collège Royal Victoria et les décorations réalisées pour le compte de McGill à l'occasion des visites royales de 1939 et 1951.
"Coupures de presse, 1915-1928, 12 cm." Notamment des coupures de presse traitant d'un éventuel projet d'aménagement pour l'Université McGill en 1920-1923, un cimetière de guerre et divers projets d'architecture résidentielle.
"Notes, 1929-1934, 9 cm." Trois projets sont annotés: le magasin Henry Birks and Sons de Calgary, les rénovations apportée à l'église Château Richer (Québec) et le Motor Building de Montréal.
"Catalogues, 1922, 1 article." Les rénovations apportées au pavillon de l'Institut de pathologie de l'Université McGill en 1922 s'assortissent d'un catalogue commercial
"Article, 1919, 1 article." Une proposition d'aménagement du parc Évangéline, à Grand Pré (Nouvelle-Écosse), est accompagnée d'un article.

The fonds consists of documents and photographs relevant to the history of the NAJC, particularly as regards the 1988 redress by the Canadian government. The scope predominately covers the period from 1987 to 1989, and includes correspondence, census data, briefs, minutes, surveys, and internal newsletters.

The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

The archives contains at this time an estimated 20 000 plans and drawings, 600 presentation boards, 500 loose sketches, 60 sketchbooks, 600 boxes of projects and office files, 80 models, 200 computer diskettes, and a representative collection of slides, photographic prints, audio-visual material, as well as a bibliographic file of primary and secondary literature. Materials are in the process of being accessioned and described.

Le fonds contient présentement environ 20 000 plans et dessins, 600 panneaux de présentation, 500 croquis, 60 carnets de croquis, 600 boîtes de dossiers de projets et de bureau, 80 maquettes, 200 disquettes d'ordinateur, une collection de diapositives représentative de son oeuvre, des photographies, du matériel audio-visuel et des dossiers bibliographiques de sources primaires et secondaires. Le matériel est en train d'être dépouillé mais n'a pas encore été décrit.