Item 778 - Petite fleur

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Petite fleur

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    Song with piano accompaniment

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    CA MDML 015-2-778

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    (1897-1959)

    Biographical history

    Soprano saxophonist, clarinetist and composer Sidney Bechet was one of the most important soloists of early jazz. Together with Louis Armstrong, he was the first to develop the loose, fluid rhythmic style that set jazz apart from ragtime and that came to be known as “swinging.”
    Sidney Joseph Bechet was born to a middle-class Creole family in New Orleans. He began playing clarinet at age six, and studied briefly with legendary early New Orleans clarinetists but was mostly self-taught. When he left New Orleans for Chicago at age 20, Bechet had played with nearly every major figure in early jazz.
    In 1919, composer and conductor Will Marion Cook asked Bechet to join his Southern Syncopated Orchestra on a tour of Europe. They were warmly received at the Royal Philharmonic Hall and Bechet was especially popular. Bechet purchased a soprano saxophone in London, which soon became his primary instrument, although he continued to play clarinet as well. His saxophone sound could be described as emotional, reckless, and large. He often used a broad vibrato, similar to what was common among some New Orleans clarinetists at the time.
    Bechet made his first recordings in 1923 and 1924 with Clarence Williams’ Blue Five, which also featured Louis Armstrong and are among the most remarkable recordings in early jazz. He worked for three months in 1924 with Duke Ellington, making a powerful impression that had important impact on the early Ellington style. After a period of extensive travel throughout the U.S.A. and Europe, Bechet fell into obscurity in the 1930s, as musical styles and tastes began to change. New Orleans music experienced a revival in 1939, and Bechet was recognized as one of the great trailblazers of the music. In an RCA Victor recording he experimented in overdubbing playing six different instruments: clarinet, soprano saxophone, tenor saxophone, piano, bass, and drums. He began recording extensively again, and in 1949 returned to Europe to great acclaim. He settled permanently in Paris in 1951, becoming a much-revered national hero, where he died on his sixty-second birthday.

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        Handwritten lyrics included.

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        D778

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