The Ballet Opera House was planned as the home and performance center for the National Ballet of Canada and the Canadian Opera Company, located in downtown Toronto between Bay and Yonge Streets. When a new provincial government was elected, however, the project was indefinitely shelved pending resolution of funding issues. Safdie's design features a public passage, referred to as "Gallery of the Artists," traversing the site at street level and accommodating specialty retail elements. The heart of the project was to be a 2,000 seat auditorium consisting of a main stage and three support stages, while the exterior of the building was to be composed of a series of tower-like elements that integrated it with the surrounding streets of Toronto.

Located along the Hudson River not far from the former World Trade Center, the project was envisioned to solve the city's housing shortage. The master plan accommodated affordable housing for approximately 400,000 people. Safdie's proposal included 14,100 apartments, several schools, a library, a hospital, and other amenities covering 91 36.4 ha. The prefabricated modular construction system was also explored for this project.

Moshe Safdie conceived the Beit Clal Conference Center as a building bridging the water. The site for the project was located in a naturally wooded area with a pond, formed from an existing stream in Pomona, New York. The overall complex was an "L-shape" with the north-south spine contoured along the pond's edge and the east-west spine spanning the pond as a bridge structure. The center was designed to serve as a "think-tank" - a meeting place for the exchange of knowledge in training and leadership for the Jewish community.

Moshe Safdie was invited to submit a competition proposal for a civic center in Beverly Hills on a site partially occupied by the historic City Hall. The competition identified the need for a new Police facility, a Fire Department headquarters, and a Community Cultural Resources facility. The new Civic Complex proposed by Safdie featured two glass pavilions for small ceremonies, a "Great Hall" with adjustable seating for larger performances, and a sunken rectangular reflecting pool, surrounded by terraced garden walkways at the centre. the jury noted that his scheme "excelled in the development of an architecture of meeting."

This project involved the design of a series of blood transfusion centers for the Government of the Ivory Coast. The design incorporated a common architectural vocabulary so that each center was an identifiable part of a network of centers throughout the country. The outward appearance had a repetitive crystal-like geometry with steeply sloping roofs covered with gold-coloured straw, with large cantilevers and continuous verandas. For the Yamoussoukro prototype, the center facilities were organized around a central court which contained a large pool, surrounded by a cantilevered, column-free arcade.