Most of the collection consists of Carpenter's notes and drawings of shells. There are printed catalogues of shell collections from the Pacific Ocean and the Caribbean dating from 1857 to 1876. His incoming correspondence is mainly from collectors in the United States and deals with shells. It covers the period 1858-1876. The main letter writers are J.G. Cooper, a collector from San Francisco, William Dall of the Smithsonian, James Lewis of Albany, N.Y. and William Bairn of the British Museum. Some of the material deals with Carpenter's establishment of the shell collection at McGill in 1866. There are files of clippings dealing with the death of his aunt, Mary Carpenter (1787-1877) and that of his sister, also named Mary (1807-1877) who was involved in the establishment of reform schools for girls. Included are some of Carpenter's certificates and diplomas (1834-1843). As well there is a copy of a biography of Carpenter written by his brother, Russell, in 1880. The book quotes extensively from Carpenter's letters, covering not only his years in the ministry but also his travels in the United states prior to the Civil War. As well there are interesting details of life in Montreal from 1865-1877 .
The collection comprises more than 6,000 Canadian and non-Canadian bookplates. The Masson collection reflects the range and scope of the art of bookplate design, mirroring period styles and incorporating the owners’ personal tastes and pursuits. References to heraldry, literature, nature and art are common. The collection was created by Montrealer Philippe Masson (1911-1944) and includes both personal and institutional plates. The nearly 3,000 Canadian bookplates are arranged alphabetically. The rest of the bookplate collection is divided between armorial and non-armorial plates. This unique collection represents a wide range of book ownership reflecting institutions, book sellers, and individuals as well as over one hundred examples of bookplates from Canadian libraries. The chronological coverage dates to more than a century from the early nineteenth century and continuing to the beginning of the Second World War. Bookplate design is a minor yet notable form of graphic design. Bookplates reveal a great deal about our book-centered culture. For many institutions, bookplates possess an iconographic or emblematic value reflecting the values of the institution. As well, within an institutional setting, bookplates are often used to acknowledge individual collections, gifts and bequests. Finally, for the individual the bookplate is a powerful symbol of possession and a love of books. Among the Canadian bookplates, many well-known Canadian artists are represented in the Masson collection including J. E. H. MacDonald, his son Thoreau MacDonald, Jean-Paul Lemieux, and W. F. G. Godfrey.
Fonds consists of a manuscript of Mémoires de mathématique et de physique contenant un traité des épicycloïdes (published in Paris in 1674) and illustrated with mathematical diagrams.
Collection consists of one bound manuscript notebook softbound in a piece of brown leather. The notebook dates chiefly from 1841 and was produced in St. Armand by Philip Luke. The notebook contains a title page that has been lettered, illustrated, and coloured by hand: A Latin Translation / by Philip Luke. St. Armand. 1841. Commenced April 4th. The text within this first portion of the notebook is Aesop's Fables in English and Latin on facing pages. The first part of the manuscript ends with "13. Horse and Ass" (Latin is incomplete) and "32. Widow and Servants" (Latin text missing). The following leaf contains two medical recipes: "A cure for a felon or whitlow," refering to an abscess or infection of the fingertip and consisting of a paste made from egg yolk, honey, turpentine spirits, camphor, and flour, and "A reciet for the inflammatory rheumatism," involving a wine-based tonic containing three types of bark, horseradish, brandy, and tar water. Following another blank leaf, a partial letter is found dated 1839. Philip Luke's text begins again in the latter part of the manuscript with a second coloured title page: "Dialogues and Declamations." There is also one loose note laid in dated 1809, a receipt for 100$.
The fonds contains student drawings of Orford Castle in Suffolk, measured drawings of Hampton Court Palace, Gipping Chapel in Suffolk and details of historical architecture.
Le fonds contient notamment des dessins d'étudiant du Château Orford à Suffolk, des relevés de Hampton Court Palace, de Gipping Chapel à Suffolk ainsi que des détails d'architecture historique.
Fonds shows Dr. Philip Franklin's relations and activities with Sir William Osler regarding the Post-Graduate Scheme in England and the American Hospital in England during WWI. The fonds contains letters, telegrams and an agenda and printed material regarding a meeting about the American Hospital.
"Architectural Drawings, 1910, 5 drawings." Drawings and watercolour sketches of French and Italian subjects, such as the Grand Palais at Versailles and the Palazzo Serra in Genoa, are found in the archive.
"Dessins architecturaux, 1910, 5 dessins." Dessins et aquarelles de sujets français et italiens et notamment du Grand Palais de Versailles et du Palazzo Serra à Gênes.
Fonds documents Philip Burnett's activities as a medical student at McGill University. The fonds contains admission cards, schedules of courses, convocation program, certificates and a receipt.
The fonds consists of documents, photographs and electronic media relevant to the personal and professional history of Dr. Peter (Peet) Silvester. The scope predominately covers the period from 1965 to 1996, and includes Dr. Silvester’s published articles, copies of his books, including some translated editions and 35mm slides and photographs used as illustrations and as visual aids in presentations. His personal papers cover the period from his immigration to Canada and to his death, and include some photographs, correspondence between Dr. Silvester and his wife, Elisabeth, and daily journals.
This fonds is divided into nine series. The first series contains his personal papers, with the remaining series covering his professional career. The second series is largely correspondence, and the remaining seven series relate to his research and publication of articles and books. The series covering correspondence and research are organized by subject, and the articles are organized chronologically.
