The bulk of the Club's papers consist of minutes of the regular open meetings (covering programmes, funding and specific projects) from 1922 to 1981, and of the Board of Management (relating to financial matters, membership and committee work) for 1926-1928, 1932-1958, and 1974-1981. Financial records consist of an account book, 1943-1961, and a scrapbook of newsclippings documents the Club's activities from 1926 to 1930. There are also annual reports for the years 1950-1959 and 1976-1981.

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

Friedman's scrapbook, ca 1910-ca 1950, consists largely of printed programmes and memorabilia from his McGill student days. Other personal mementos stem from his involvement in Zeta Beta Tau Fraternity, and various Jewish social groups. There are also newsclippings, particularly on World War I and on fascism and anti-semitism in Québec. Also included are two items from his autograph collection: a letter from Israel Zangwill, 1897, and one from Upton Sinclair, 1932.

The files of the Newman Association contain minutes of director's meetings from 1965 to 1974, and correspondence and memoranda concerning finances and fund-raising; Newman House and its operations; events such as speakers, retreats, parties, and liturgical celebrations; membership and statistics on Catholic students; liaison with the ecclesiastical administration and with the Canadian Federation of Newman Clubs; the "Pax Romana" movement; and issues of concern (ethical, political and religious). The papers of the Newman Club of McGill University include executive minutes, 1946-1983, some accounts, 1967-1969, a scrapbook of clippings, 1955-1956, and a series of historical files containing lists of past officers with some materials from the Columbian Club. The Roman Catholic chaplaincy is represented by the chaplain's reports from 1963 to 1972, and the Newman Alumni by executive committee minutes from 1958 to 1963. The Archives also holds a number of newsletters and magazines published by these groups.

The Society's bank book,1913-1925 and receipt book, 1924-1925, are accompanied by a newspaper account of its annual outing in 1889, and a photocopy of the notice of a meeting, 1890.

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

The fonds consists of documents and photographs relevant to the history of the NAJC, particularly as regards the 1988 redress by the Canadian government. The scope predominately covers the period from 1987 to 1989, and includes correspondence, census data, briefs, minutes, surveys, and internal newsletters.

The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

The fonds contains an autobiographical essay entitled "My Life at Stanstead and McGill, 1902-1910".

The Mountain family papers consist of two albums. The first contains watercolours and sketches (probably by the daughters of Bishop Mountain, though only a few are identified) of scenes in Québec and Europe, as well as flowers and birds, and copies of Indian designs. There are also prints showing Swiss folk costumes. The second album is entitled 'Family Poems', and many are by Mountain. These are largely moral and lyrical relections, with some occasional verse and translations.