The Beverly Chandler fonds is comprised in part of documents she collected during service on the Students' Society Interim Management Committee, 1975-1976, set up by the University Senate in conjunction with the Interim Policy Committee to run affairs after the suspension of the Students' Society constitution. But also included are the records of her participation in the subsequent Students' Advisory Policy Committee established when the Senate placed the Society under trusteeship. Particularly rich in agendas and minutes, the fonds also includes related correspondence, reports and budgets, with some of its contents annotated.
The collection consists of various documents, photographs, and audio and video recordings generated by the official activities of the Bethune Foundation; also included are documents, publications and photographs related to Dr. Bethune and to China or Chinese medicine, pamphlets, posters, and Bethune Foundation newsletters.
Fonds consists of photocopies of Anderson’s papers that document her work with the McGill Association of University Teachers (MAUT), and her work as lecturer at the McGill School of Information Studies.
The collection consists of seven leaves of typewritten poems, with a few handwritten annotations, possibly made by the author, as well as a typewritten copy of the poem collection "Svendborger G[r]dichte."
The collection consists of a typescript of the author's book "Salon sketches" and a copy of the 1938 edition titled "Salon sketches: biographical studies of Berlin salons of the emancipation," published by Bloch Publishing Company in New York. It also contains newspaper clippings featuring reviews of the book from 1938 and 1939, as well as two articles from 1966 commemorating Professor Bertha Meyer's 50 years of teaching at McGill University.
This volume is a friendship book in which Bernice Parsons' classmates wrote verse or sentiments. The book also served as a scrapbook of memorabilia, such as dance and concert programmes, birthday cards, and verses on Dean Laird, Mr. Percival, and the College menu.
The Bernard Gagnon Fonds consists of audio recordings, including interviews, manuscripts, correspondence, and event documentation of Bernard Gagnon, a Montreal-based electroacoustic composer who recorded his first electroacoustic pieces at McGill’s Schulich School of Music’s Electronic Music Studio (EMS) in the 1980s. The Bernard Gagnon Fonds contains the work of Bernard Gagnon a Montreal-based electoacoustic composer and performer who was active in the avant garde scene in the city during the 1970s and 1980s. He composed his first electroacoustic pieces at McGill’s Schulich School of Music’s Electronic Music Studio (EMS) and the collection includes a 2012 Tenzier recording of these works. The Bernard Gagnon Fonds is divided into 5 series and contains approximately 100 items. The majority of the collection consists of audio recordings, including interviews, manuscripts, correspondence, concert posters and programs.
Fonds consists of autographed signed letter from Workman to John Auld of Montreal on Workman’s engraved stationery (Matthews lithographer), 25 November 1852.
Consists of letter from Lord Selkirk to Captain Benjamin Walker dated 14 June 1816 concerning the sale of Selkirk’s land at Salmon River, New York, and his impending departure for the Red River.
