The fonds consists of 7 boxes of primarily typewritten documents created between 1976 and 2004 which reflect Julian Samuel’s creative work and related endeavours. They contain drafts of screenplays and novels, correspondence, book reviews, CVs, and ideas or doodles. They also contain newspaper clippings and collected research dealing with Samuel’s areas of interest, including unrest in the Middle East, immigration, and discrimination on the basis of race or language. These records were created and consulted in Montreal, Quebec. Although the work is often Samuel’s alone, correspondence and edited drafts appear regularly.
The fonds represents over forty years of Julian Armstrong's career as a food writer and journalist. The fonds contains primarily textual records created and accumulated by Armstrong during her research into the culinary history and traditions of Quebec while a food editor with the Montreal Gazette. Series 1 consists of food research files arranged by Armstrong according to geographic location or subject. Generally, the files are arranged by Quebec town or region, but some are devoted to food research topics related particularly to Quebec, such as "tourtières". The second subseries is arranged by specific foodstuffs, such as "Maple Syrup Pie" or "Bread," or food-related topics such as chefs and restaurants, or nutritional or diet topics. Series 2 contains notebooks of Armstrong's notes taken during travels primarily in Quebec's regions with observations, interview notes, tasting notes, and information such as food prices. The notebooks begin in 1986, dating from when she began her travels in Quebec for her food reporting. Series 3 contains records related to Armstrong's publications and speaking engagements. Series 4 consists of documents created through Armstrong's participation in culinary associations such as Cuisine Canada and in various cooking contests. Series 5 contains notebooks kept by Armstrong between 1969 and 1995 tracking food prices at particular regional grocery stores, organized by food product.
Series 1: Food research files Series 2: Notebooks Series 3: Publications and presentations Series 4: Associations and events Series 5: Food price records
The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.
The project files which occupy most of the archives of J.T. Donald and Co. fall into two series: ordinary business and special assignments. Both series contain the firms report's, and correspondence. Special assignments were largely connected with wartime armaments production. A few files concern work for the Imperial Munitions Board in World War I, but most consist of reports for the Chemical and Explosives Branch of the Department of Munitions and Supply, 1939-1948. Ordinary projects involve consultation for food, pulp and paper, petroleum, and chemical manufacturies, as well as for some government departments, 1888-1940. Outgoing correspondence from 1881 to 1909 is contained in letterbooks. A file of legal documents, 1924-1946, refer to claims against the company, agreements, and partnerships. Also included are an undated notebook on chemical analysis, and scrapbooks and files of newsclippings of professional interest (e.g. reports of explosions caused by oil and gas) covering the period 1916-1958. There are also reports on mining and energy sources prepared by Donald alone and also in partnership with J.H. Ross for various private and government bodies.
The fonds consists of diaries, private ledger and cash book, architectural drawings, news clippings, correspondence, one seal, one measuring tape, and photographs relating to J.S. Costigan and family.
Hemlow's teaching activities are documented by her students' examination papers in Mediaeval, Renaissance and 18th century literature for 1941, 1948 and 1953.
Chamberlain's papers consist of the following: medical certificates, 1827, 1851, 1853, two bound collections of sheet music with annotations, ca 1850; photocopy of a printed letter from Henry Lyman concerning the surgical instruments of Chamberlin, 1880s.
Spencer's file of printed testimonial letters, including some from Sir William Dawson and Thomas Sterry Hunt, curricula vitae, and lists of publications was probably prepared for a job application.
The fonds consists of professional correspondence between J. G. Stratford and colleagues from the MGH, Montreal Neurological Institute, University of Saskatchewan, and the Osler Society. It also includes personal research material on pain (the causes and treatments), original drafts of his various publications (1953-2007), Montreal General Hospital daily journals (1966-1998), and some patient files (1943-1972, file 33). Stratford's bachelors, masters, and medical degrees from McGill University, as well as various professional certificates awarded to Stratford throughout his career are included in the fonds. Additional items include portraits and group photographs from the Neurological Department at Saskatchewan and the Montreal Neurological Institute, several brain scan prints, architectural blueprints of the Montreal General Hospital and Montreal Neurological Institute, as well as letters between Joseph & Aurelie Stratford and their close friends, Wilder & Helen Penfield.
