The fonds consists of two articles:
Use of a Computer for Calculating Cardiac Output (1965), by Stanley Sinclair, B.Sc., John H. Duff, M.D., Lloyd D. MacLean, M.D., Ph.D. Montreal. Reprinted from Surgery, St. Louis, Vol. 57, No. 3, pp. 414-418.

The Hyperbaric Chamber at the Royal Victoria Hospital, Montreal (1964), by John H. Duff, M.D., Walter D. Gundel, B.Mech.Eng., Henri G. Vignoul and Lloyd D. MacLean, M.D., Ph.D. Montreal. Reprinted from the Canadian Medical Association Journal, 91, 1051-1055.

"Architectural Drawings, n.d., 3 drawings." An elevation of an entrance gate for the Mount Royal Cemetery, a perspective of the Church of St. James the Apostle and a proposal for an exhibition building, all in Montreal, comprise the CAC's holdings of the work of Lawford and Nelson.
"Photographs, n.d., 1 photograph." The archive contains a photograph of an entrance gate for the Mount Royal Cemetery.

"Dessins architecturaux, s.d., 3 dessins." Là CAC possède le dessin d'une élévation de la grille d'entrée du cimetière du Mont-Royal, une perspective de l'église St. James the Apostle et un projet de Palais des expositions, tous à Montréal.
"Photographie, s.d., 1 photo." Le fonds contient une photo de la grille d'entrée du cimetière du Mont-Royal.

The fonds consists of 1 volume of notices, comments and ephemera of thirteen Law 1930 graduates who met on Friday 13th dates.

This extensive archive documents four aspects of Laurier LaPierre's career: academic, journalistic, political and entrepreneurial. The academic series comprises 2 m of historical research - notes, information files, and bibliography- on a wide range of topics in Canadian and Québec history (ca 1956-1978). Included are research notes for his doctoral thesis on Joseph Israel Tarte, and for two articles on Church-State Relations in French Canada. Related to these are files raised as a professor at McGill (1968-1978) containing minutes of faculty and departmental meetings, papers pertaining to the McGill Faculty Union and to Lapierre's views on student participation in university government, and of student essays prepared for his courses, as well as correspondence with and about students whose theses he directed. The typescript of his and Ramsay Cook's unpublished Source-Book of Canadian History is also included. LaPierre's role as television and radio journalist is illustrated by 2.5 metres of files. Those concerning This Hour Has Seven Days (1964-1966) contain material on the CBC crisis of 1966 and on arbitration between LaPierre and the network. Letters from viewers and friends air their reactions to the programme. LaPierre's files for the Radio-Québec series En se racontant l'histoire d'ici contain documentation for each broadcast and annotated scripts (ca 1975-1976). Similar files were raised for a historical series (with Patrick Watson) aired in Toronto and Vermont, for Inquiry, and for CBC International programmes. There is also correspondence with CTV and the C.R.T.C. (ca 1970-1971). Illustrating his political involvements are minutes and executive lists of the N.D.P.: materials on their 1971 convention; speeches, expense accounts and photographs on LaPierre's Lachine campaign (1968); political speeches (1966-1967); and reactions to the War Measures Act (1971) and wage control legislation (1976). Closely related to these files are 70 cm of speeches, correspondence related to articles by LaPierre, and book reviews, all on contemporary political and social topics (ca 1966-1970); some speeches were probably written for the 1968 campaign. Material on LaPierre's publishing, business and consulting activity include the files of Immedia, formed with Patrick Watson ca 1971-1974 to produce TV and film documentaries; LaPierre, Thomas and Associates (public relations, consulting, translation and publishing); and Investissements Laurier LaPierre. Considerable documentation survives for "Saberdache Québecoise", a series on French Canada planned by McClelland and Stewart but never realised. Personal papers (50 cm) comprise general correspondence and letters regarding speaking engagements (ca 1972-1974), desk diaries (1968-1969, 1972-1975), travel accounts, insurance and family expenses, and other financial papers.

The fonds consists of one scrapbook of news clippings, dinner/dance programs and memorabilia of Laurence A. de Rosia who was a programs student in Arts 1, Arts 2 at McGill, ca. 1922-1924.

Le fonds comprend dix lettres adressées à De Salaberry et à certains de ses proches sur divers sujets de 1785 à 1912, un manuel de manoeuvres militaires de Major Michel de Salaberry, 1796, des photographies, des cartes postales, un spicilège (ca 1834-1841) et quelques documents relatifs à Frederick George Heriot (ca 1818).

The Kyle-Addie Fonds consists of records created by Mary Elizabeth Kyle and George Kyle Addie and includes three letters of recommendation for Mary Elizabeth Kyle from Professors Hicks, Robins, and Darvey of the McGill Normal School; a certificate of honour awarded to Mary Elizabeth, 1862; Mary Elizabeth's teaching diploma, 1862; a handwritten song by George Kyle Addie; 3 photos owned by George Kyle Addie of members of science class, 1889; 1 B.A.Sc.diploma awarded to George Kyle Addie, 1889.

Kiang's papers cover the few years he was employed by McGill. His teaching materials include course outlines and examinations, as well as examination papers for a course in Oriental philosophy he gave at the University of Oregon Summer School in 1930. The administration of the Department of Chinese Studies is documented by requisitions and invoices for equipment and furniture, correspondence on library purchases, and letters regarding possible posts in the department, the curriculum, Kiang's salary and appointment, the Gest Chinese Library and general administrative matters. Kiang's personal files concern his work with the Hung Tao Society, his collaboration with Witter Bynmer, current events in China, and Kiang's publications and speaking engagements.

Fonds consists primarily of Meek’s manuscripts of his keyboard and church music compositions, from approximately 1930-1975. Also included are programmes for his organ recitals, 1928, 1933, 1953-1957, 1960-1968, a scrapbook of clippings concerning his performance of the complete organ works of J.S. Bach, 1949-1950, and lecture notes and examinations for his McGill course in analysis, 1969-1973.

Contains 1 architectural drawing: "Plan of McGill University Grounds 1896" by Kenneth Molson, 1899.