The Pantages Place development sought to create a landmark in the heart of Toronto. The proposed development was a mixed-use commercial and residential building including the AT&T Centre for the Performing Arts, comprised of the 2200-seat Pantages Theatre and a new 1400-seat theatre and Pantages Tower, a high-rise that contained a hotel and condominiums.

The initial phase of the development was to contain 5 levels of belowgrade parking, an expansion to the exisitng Pantages Theatre stage, a new, 1400-seat theatre, the tower core to the 9th floor, street related retail, a residential lobby and a hotel lobby.

The second phase was to include a 41-storey, 419 foot tower combining up-scale condominiums and a four-start hotel. The 313-room hotel was to be located in the lower 25 levels of the building, while the 192 condominium units occupied the upper 16 floors. The structure was to consist of a structural concrete frame clad with precast concrete panels with fenestration and a glazed curtainwall.

The project was projected to be completed by 2000.

The Ballet Opera House was planned as the home and performance center for the National Ballet of Canada and the Canadian Opera Company, located in downtown Toronto between Bay and Yonge Streets. When a new provincial government was elected, however, the project was indefinitely shelved pending resolution of funding issues. Safdie's design features a public passage, referred to as "Gallery of the Artists," traversing the site at street level and accommodating specialty retail elements. The heart of the project was to be a 2,000 seat auditorium consisting of a main stage and three support stages, while the exterior of the building was to be composed of a series of tower-like elements that integrated it with the surrounding streets of Toronto.

File consists of architectural drawings for museum. Also includes a file folder of specifications. Drawings include:
29 measured drawings: site plan, floor plans, roof plan, sections, architraves, eaves, dormers, chimney, seating, fireplace, windows, ceiling, handrail, gallery and stair foundations, doors
10 detail drawings: site plan, floor plans, tea gallery, finishes, flue, woodwork (trim)
7 Record drawings: floor plans, elevations, section, doorway, trim, old barracks

Surrounded by relatively tall commercial buildings, the Connecticut Center must assert itself. Its image evokes the sciences; its geometries are reminiscent of great astronomical instruments, challenging our curiosity. Two nacelles, shaped as segments of two great toroids, are perched side by side atop a podium. The structure of the nacelles is made of laminated wood lattice - a diagrid - that rotates about their surface in an ordered and repetitive geometry. Uniting the nacelles is a great roof platform in the shape of the surface of a partial sphere - an inverted dome. The geometries of each part intersect to create a cohesive and ordered whole. The Connecticut Center is organized into six levels, the first of which is the entry at the street. The second level is a podium, which features three floors of parking as well as offices and the museum's back-of-the-house areas. The deck of the podium extends Hartford's series of piazza, which also connect to the river abutting the site - these are the city's upper platform. The third and fourth levels of the Center, within the nacelles, are an exhibition and theatre spaces; the fifth level, also within the nacelles, is the upper mezzanine; the top level is the sky garden.