The papers contain printed biographical materials: newsclippings on Craik's appointment as Dean (1889), his resignation (1901) and his death, as well as printed addresses by and in honour of him. There is also a typescript copy of the Medical Faculty's resolution at the time of Craik's death. A letter from Craik to a Miss Charleton (1904) thanks her for assistance in compiling an obituary.

Series contains newspaper clippings and magazines containing articles, reviews, or special issues on Expo 67.

This series consists of 23 volumes and 6 files focusing on travel, research, and expedition activities conducted during Casey Wood's ornithological research trips from 1920-1937, including periodical and newspaper publications written by Wood during this time. This series consists of manuscripts and articles relating to letters to friends and family providing accounts of his travels, clippings, photographs, printed ephemera, photostats, artwork, and feathers from John III. Some of the volumes contain manuscripts, notes, and/or photostats, while others are scrapbooks containing multiple record types seemingly curated, arranged and mounted by Wood or as directed by him.
Within this series are 209 incoming and outgoing correspondence including letters, notes and cards. Individuals in correspondence with Wood include Cora Raymond, G. R. Lomer, E. V. Sanderson, Sir George Perley, Sir Charles Major, H. Kirke Swann, Edith Hayes, Emma Shearer Wood, W. E. Wait, Sun Engraving Co., Taylor and Francis, Bitty and Seaborne Ltd., Stuart Baker, G. M. Henry, and Allan Brooks. Other individuals present in this series include Mabel Satterlee, L. F. Struthers, W. J. Belcher, J. Sutton, G. M. Henry, F. Marjorie Fyfe, J. C. Harrison, Alexander Wetmore, and Dr. Andreas Nell.
Places referenced within this series' files include South America (1920), British Guiana (1922), Fiji (1923), Oceania, New Zealand, Australia (1923-1924), England and Scotland, Ceylon (1925-1934), Colombo, Kandy, and Italy (1934-1936). Some topics and research areas of note include ornithology, zoology, bird protection, travelling, nightingales (1920-1934), John III (1924, 1937), “Coloured Plates of the Birds of Ceylon” (1925-1927), Emma Shearer Wood and Blacker Library collections, Sinhalese weights, Wood’s heath, Ali ibn Isa, and political printed material on Italy during the late 1930s.
There are also a number of photostats of publications or manuscripts copied approximately in 1937 related to Emperor Frederick II’s “de Arte Venandi cum Avibus.” These photostats were used for reference during these research trips for Casey A. Wood and F. Marjorie Fyfe’s published translation “The Art of Falconry.”

This series consists of 30 bound volumes either published by Casey A. Wood, used for reference during his research and writing projects, or published on his professional career and publications. The volumes are dated from 1907-1981, with predominant dates from 1923-1936. Wood's publications focus on his international work in ornithology between 1915-1936 and were published in prominent ornithological journals such as the Smithsonian Report, Auk, Ibis, Bird-Lore, Condor Magazine, McGill Publications, etc.

Two volumes contain a number of Wood’s published books and one also includes newspaper clippings related to Fiji, Ceylon, Sinhalese coins, and McGill Library collection materials. One volume of "A Collection of Birds from the Fiji Islands" includes presentations notes from W. J. Belcher on birds from Fiji dated December 14, 1936.

The files used for Wood’s research dated from 1907-1937 include publications on Emperor Frederick II and falconry, English-Italian dictionaries, and ornithology library catalogues. This series also contains the 1981 Casey Wood Bio-bibliography compiled by E. C. Astbury. Not all of Wood’s publications are present within this series, however various iterations of the manuscripts or parts of manuscripts not represented within this series may be present in other series.

Individual cataloguing records of volumes can be found in the McGill library catalogue.

The series consists of documents related to Dorothy Duncan’s personal life, including a copy of Dorothy Duncan’s birth certificate, clippings of obituaries from Duncan’s death, and two personal photo albums (1930-1940). The photo albums are a mix of family photos, personal travel photos, and commercial postcards and photos documenting Canada, the United States of America, and various European countries.

This series consists of day diaries (one for each year from 1953 to 1957), one composition notebook with clippings and hand-copied poems from other authors (1931-1934), typed notes and story drafts (1933), hand-written character lists (1933), a journal with notes for novels (1950), a notebook with a loose leaf list of Duncan’s paintings (1944-1956), and one unpaginated ledger of accounts (1945-1957).

Most of this archive documents the High School for Girls. The administrative records comprise prospecti for both High Schools, registers of attendance, 1875-1896, examinations, 1855-1858, 1884-1888, fees, 1863-1869, and corporal punishment, 1892-1896, 1949-1960, and memoranda from the Rector applying to either the boys' division or to both High Schools, 1897-1904. There are also working notes for teachers, 1902-1903, 1921-1931, and scrapbooks of programmes, clippings and notes concerning activities in both schools, covering the years 1913 to 1960. Examination papers, 1872-1882, a guest book, 1919-1943, an annotated address book of High School for Girls staff prepared by Principal L.M. Hendrie, 1911-1945, and photographic portraits of the Principals of the High School for Girls round out this series. Student activities are reflected not only in the official scrapbooks, but also in minute books, photograph albums and scrapbooks of the High School for Girls' Athletic Association, 1912-1913, Literary and Debating Society, 1906-1908, and English Club, 1935-1940. There are a large number of photographs of girls' sports teams, 1915-1941, as well as a scrapbook of clippings on the activity of High School for Girls Alumnae, 1953-1956.

The Lyman-Scrimger Family Fonds consists of the papers of the Lyman, Scrimger and Johnston Families. Reverend John Scrimger's daughter married Walter Ernest Lyman and their daughter, Elizabeth, in turn married Wyatt Galt Johnston. Elizabeth's sister is Mary Minta Turnor.

The Lyman-Scrimger papers largely consist of approximately 42 cm of photographs. Two albums contain family portraits, while two others assembled by Albert Clarence Lyman (B.A., 1878) and Walter E. Lyman (B.A., 1881) also include pictures of McGill classmates. The large collection of unbound photographs contain a number of views of Western Canada taken ca. 1900, Montreal scenes, and travel snapshots taken in Europe (ca. 1905-1910). Two scrapbooks compiled by the Reverend John Scrimger contain newsclippings, poems, cards, letters, photographs, and memorabilia of a family or sentimental nature. The reminder of the papers consists of newsclippings, programmes and so forth related to members of the family as well as a few scattered items of correspondence, probably collected by Mrs. Walter Lyman.

The Johnston Family papers comprise Wyatt Galt Johnston’s laundry lists and grocery accounts, ca. 1899; a letter to Elizabeth Johnston from her mother in Lennoxville, 1906; H. Wyatt Johnston’s school reports, 1907-1911; and letters of sympathy and memorial cards sent to H. Wyatt Johnston on the death of his mother Elizabeth Johnston, 1943 and his aunt Mary Tunor, 1945.

Mary Minta Turnor’s papers consists of correspondence, largely with members of her family in the Eastern Townships on domestic news. A few photographs of houses and pets, as well as some recipes, are also included.

The series consists of records pertaining to Duncan’s published works and art work. The series contains four scrapbooks of clippings related to each of her published books: “You Can Live in An Apartment” (1939), “Here’s to Canada!” (1941), “Bluenose: A Portrait of Nova Scotia” (1942), and “Partner in Three Worlds” (1944). Duncan’s work as a writer is also represented by publishing contracts from houses in New York and London (1940-1946), a series of photographs and captions that were used in “Here’s to Canada,” and files of newspaper and magazine clippings of articles written by and about Duncan, including a feature that she wrote about Gabrielle Roy. Duncan’s work as an artist is documented by files of clippings and contracts with art galleries. There is also a list of Duncan’s paintings included in one of the notebooks in Series 5 Notebooks and Diaries (1931-1957).

The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.